The Farmer’s Wife 1930s Sew Along Epidemic!

I admit it! I get very excited about patchwork and quilting. Sometimes I even finish some of the projects I begin with this unbridled enthusiasm.

My current passion is THE FARMER’S WIFE 1930’s SEW-ALONG. There is a ‘one stop page’ for all the information curated by GNOME ANGEL. (gnomeangel.com).

GnomeAngel.com

My book arrived last week and I am busily preparing my patterns and choosing my fabrics for the September 28th start date.

The Farmer's Wife 1930s Book and Fabrics

The Farmer’s Wife 1930s Book and Fabrics

I know I have promised some unique results from the 200g of scrap swap….

Scraps Become a 'new' fabric

Scraps Become a ‘new’ fabric

Half Square Triangles created with these great papers

Half Square Triangles created with these great papers from Quilters Barn

…and I will finish that project…
BUT, this is a SEW-ALONG and I have never done a SEW-ALONG like this before. The group has its own Facebook page and there are already over 2500 members. Can you picture the diversity and cleverness of all these Patchworkers sewing along? It quickens the pulse.
My bobbins are full and my needles are new.

Fabrics, Bobbin and Needles

Fabrics, Bobbin and Needles

Come on and join the world wide project that has developed a life of its own! You know you want to…think of it as using up lots of fabric you already have to make room for new fabric that hasn’t even been designed yet…..ooooo aaahhhhh.

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The Wow Factor Quilt

Some quilts just have a “WOW” factor!

Full-quilt

Carolyn was in the showroom a couple of weeks ago to choose the threads for this quilt, so I was thrilled when she came back to show it to us finished.

Close-up-centreThe soft sheen from the grey thread, chosen to blend into the grey fabric, highlights the quilting design perfectly so that the trapunto and background stitching “pop”.

Cotton-Mako-50-Free-Bird

Carolyn opted for a soft red, rather than a pink, to quilt the floral fabrics.

Close-up-Sashes

It has worked so well across all the blocks and looks stunning on the back of the quilt.

quilt-back-cropped

See more of Carolyn’s quilting on her instagram page:

Free Bird Quilting Designs

PS: Carolyn used Aurifil Cotton Mako’ 50 to quilt her quilt, the best choice for heavily detailed, show quality, quilting.

Dare I say it?? Christmas is approaching!

I subscribe to Quilters Newsletter magazine.

019

They had a ‘good deal’ on their subscription last year, and so I treated myself to a one year term.  It has proven to be a good read as well as a good deal.   The most recent issue had a foundation pieced Christmas tree that caught my eye.

020 As it can be done week by week, it made me think it could be a do-able project, and if I caught up with the sewing I could complete it by the end of October.

I decided to download the weekly patterns, and use the Christmas fabrics in my stash – of which I have quite a few acquired over the years.

011 It is interesting looking back on the ones I have accumulated – from the ‘traditional’ reds and greens and golds to the more modern and the ‘country’ look.

009

They will all work – I hope.

For the past few weeks I have been foundation piecing like mad.

014

It is a messy business!!

023

It’s made me search out some small prints and not use the bigger ones in this project.

022But the results are fun!

008 I have been searching out some very tiny ‘conversation’ prints:

016And I have been sewing with Aurifil Ne 40 (the green spool).  For me it has the strength to cope with patterns printed on paper.

024

I hope to be able to show the completed top by the end of the year.  I guess this means I have started another project – darn!

Playing with Fabric and Making New Friends

I learn something new everyday. Sometimes the ‘new’ thing has been around forever…but, it is still new to me. For example, QUILT CLUB AUSTRALIA. This is a closed group (you have to ask to join) on Facebook.
This group has over four and a half thousands members. They describe themselves as “a bunch of seasoned and newbie quilters, from all over Australia……”. They do all sorts of exciting things.
Several of their activities involve swapping fabrics and/or finished items.
Charm squares can be swapped or a particular designer’s fabric line.

Charm Square Swaps

Charm Square Swaps

Swap Fabrics from your favourite designers

Swap Fabrics from your favourite designers

They share tips and links to a variety of quilt related information. They have been around for a while but I HAVE JUST DISCOVERED THEM!
I came upon this group because I have recently been involved in a swap with the Melbourne Modern Quilt Guild. Participants weighed 200grams of their finest scraps; placed them into a small postal bag with a self-addressed small postal bag, and sent them to the nominated distributor.

Parcels in the post full of goodies

Everyone who participated received a parcel. You would have thought I was waiting for a winning lottery ticket the way I ran to the post-box every day.
Note: if my family had seen my excitement over 200g of fabric scrap they would have wondered why I needed a room for the rest of my fabric collection!

200 grams of treasures

200 grams of treasures

I will be sharing the project(s) using my 200g of treasure in the near future.

Creating a 'NEW' fabric with my scraps

Creating a ‘NEW’ fabric with my scraps

In the meantime, have a look at what is ‘new’ in the quilting world. You may find yourself re-energised by QALs (quilt alongs), SALs (sew alongs) or swaps.

Longbourne at Castlemaine

Last weekend I had the pleasure of attending a class with Katrina Hadjimichael. http://katrinahadjimichael.blogspot.com.au/

The class was hosted by Corliss of Threadbear Patchwork and Quilting in Castlemaine. http://www.threadbear.com.au/

I have been an admirer of Katrina’s work for a number of years, so when I heard that she was to teach here in Victoria, I knew I had to be there! The quilt being taught was “Longbourne”,  number 3 in Katrina’s Jane Austen series, which currently numbers eight. It’s a feast of applique, fussy cutting and English Paper Piecing. Bliss!

Longbourne class 017-crop

Katrina and “Longbourne”.

Twenty eager ladies gathered in the light and cosy venue for a day filled with lots of learning, inspiration, friendship, laughter and delicious food (that I didn’t have to prepare!!)

When we arrived and found a spot to park our bags, belongings and bodies, we received a lovely little gift bag from Corliss, complete with chocolate sustenance and fabric treasures.

Longbourne class 018 edit

What’s inside?

Longbourne class 019 edit

Treasures!

Katrina also came armed with a gift: a copy of the recent Quilters Companion magazine which included a DVD featuring Katrina and her tips for Jelly Roll quilts.

Longbourne class 027 edit

Then to the real work of the day! Katrina is a very organised and meticulous teacher and led us through the various techniques and processes required to make our own version of Longbourne. All the extensive notes, beautifully drawn pattern sheets, and a collection of photos showing in detail various elements of the quilt, were presented in a display folder for each participant.

Longbourne class 020

Pattern sheets and detailed instructions in a display folder.

Most participants chose to use reproduction fabrics for their quilts as in Katrina’s original, but one other brave soul and yours truly ventured into the realm of brights. I have decided this presents an additional challenge: many of the fabrics in bright modern fabric ranges have larger scale designs on them. For some elements of the quilt, especially the centre panel, small scale designs are also necessary. I found I had to go shopping for some additional fabric. (Oh dear, such a hardship)

At the beginning of the class one lady asked Katrina what her secret is for such accurate and neat work? In short, the answer is attention to detail.  All applique components are tacked onto paper first. Katrina takes great care when tracing and cutting out her pattern pieces. No sloppy workmanship here!

Longbourne class 021-crop

Tacking onto cartridge paper for fussy cut components.

 

Longbourne class 024 edit

More tacking.

Here’s Katrina demonstrating how she makes tiny (3/8″) hexagons. And the thread of choice… Aurifil of course!! (Here she is using 50 weight).

Longbourne class 013-crop

And so, to sew. The bias stems come first.

Longbourne class 022 edit

Ready to applique the bias stems.

I have not done a great deal of actual sewing as yet, but I have done a little playing with various fabric combinations, and lots of thinking about my creation.

Longbourne class 026-crop

Playing and thinking.

And when Longbourne is finished, there may be another of Katina’s Jane Austen quilts calling me.

Longbourne class 003-crop

Lambton, the latest in Katrina’s Jane Austen collection.

Thank you Katrina and Corliss for a most enjoyable and inspirational day.

 

Holiday Dreaming

I’ve been back at work for less than three weeks and already my holiday is a distant dream, so I browsed through my photos to re-live some of the memories.

We drove 10,000 kilometres, over many gravel & dusty roads, saw lots of bush and wild life and very few towns.

Women-of-West-QuiltHowever, what I did notice is that in nearly every one of those towns, regardless of the size, there was always a mention of a community quilt to commemorate something special.

The quilt above, hangs in the Australian Stockman’s Hall of Fame & Outback Heritage Centre in Longreach, Queensland.

I could not find any reference to the makers, but the quilt captured the stories that were displayed around the museum, of women’s lives in isolation in the outback in the past.

Other quilts told stories of settlement anniversaries, mining and local interests and all were hanging in community halls, libraries, council offices and other public places.

It was obvious that the making of these quilts had brought people together to share their love of stitching and their community.

So long live the sharing of patchwork, quilting and embroidery!

 

My Aurifil Dog

I attended the New Zealand Symposium in Manawatu earlier this year and was privileged to take a class with Melissa Burdon. Melissa transforms photographs into works of art.
I chose a photograph of my beloved Jack Russel, Dougal. He is 13 years old and has become MY dog even though he was a pet for my sons when they were young.

Meet My Dog, DOUGAL

Meet My Dog, DOUGAL

Using the computer program GIMP, the photograph is altered removing colour and leaving a gray scale image. This technique allows a tracing to be made of the subject separating areas by their shading.

My photo after GIMP

My photo after GIMP

For this class, our photos were shaded into 6 levels. Each of these shades translated into a shade of our chosen colour. I chose purple.

The process begins

The process begins

The picture is slowly built up a piece at a time until it is ready to place onto a background. Finding just the right background took some time until I found a print of his favourite thing…TENNIS BALLS.

The background

The background

Once the background was complete and Dougal was fused in place, it was time to quilt.

Aurifil Matches perfectly

Aurifil Matches perfectly

Using Aurifil Cotton Mako 40wt and 50wt threads the ‘fur’ began to ‘grow’.

The 'fur' grows

The ‘fur’ grows

Quilting the Toes

Quilting the Toes

Quilting the Collar

Quilting the Collar

All of the quilting was done with FMQ. Each tennis ball was carefully outlined so they would ’bounce’.

SIT....Good Dog!

SIT….Good Dog!

If you have a photo of someone or something special, have a go with GIMP and create your own fabric photo.

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